| Attention and the evolution of Hollywood film JE Cutting, JE DeLong, CE Nothelfer Psychological science 21 (3), 432-439, 2010 | 254 | 2010 |
| Quicker, faster, darker: Changes in Hollywood film over 75 years JE Cutting, KL Brunick, JE DeLong, C Iricinschi, A Candan i-Perception 2 (6), 569-576, 2011 | 232 | 2011 |
| Visual activity in Hollywood film: 1935 to 2005 and beyond. JE Cutting, JE DeLong, KL Brunick Psychology of Aesthetics, Creativity, and the Arts 5 (2), 115, 2011 | 90 | 2011 |
| The changing poetics of the dissolve in Hollywood film JE Cutting, KL Brunick, JE DeLong Empirical Studies of the Arts 29 (2), 149-169, 2011 | 46 | 2011 |
| Low-level features of film: What they are and why we would be lost without them. KL Brunick, JE Cutting, JE DeLong Oxford University Press, 2013 | 38 | 2013 |
| How act structure sculpts shot lengths and shot transitions in Hollywood film JE Cutting, KL Brunick, JE DeLong Projections 5 (1), 1-16, 2011 | 38 | 2011 |
| Film through the Human Visual System: Finding Patterns and Limits JE DeLong, KL Brunick, JE Cutting Social Science of the Cinema, 2012 | 33* | 2012 |
| Adaptation modulates the electrophysiological substrates of perceived facial distortion: Support for opponent coding A Burkhardt, LM Blaha, BS Jurs, G Rhodes, L Jeffery, D Wyatte, J DeLong, ... Neuropsychologia 48 (13), 3743-3756, 2010 | 33 | 2010 |
| Added noise affects the neural correlates of upright and inverted faces differently BL Schneider, JE DeLong, TA Busey Journal of Vision 7 (4), 4-4, 2007 | 24 | 2007 |
| Reverse correlating love: Highly passionate women idealize their partner’s facial appearance G Gunaydin, JE DeLong PloS one 10 (3), e0121094, 2015 | 22 | 2015 |
| Shot structure in Hollywood film CE Nothelfer, JE DeLong, JE Cutting Indiana University Undergraduate Journal of Cognitive Science 4, 103-113, 2009 | 21 | 2009 |
| On shot lengths and film acts: A revised view JE Cutting, KL Brunick, J DeLong Projections 6 (1), 142-145, 2012 | 17 | 2012 |
| Temporal fractals in movies and mind JE Cutting, JE DeLong, KL Brunick Cognitive Research: Principles and Implications 3, 1-21, 2018 | 16 | 2018 |
| RSVP at the movies: dynamic images are remembered better than static images when resources are limited A Candan, JE Cutting, JE DeLong Visual Cognition 23 (9-10), 1205-1216, 2015 | 13 | 2015 |
| The sparsity of simple recurrent networks in musical structure learning KR Agres, JE DeLong, M Spivey proceedings of the annual meeting of the cognitive science society 31 (31), 2009 | 10 | 2009 |
| Horseshoes, handgrenades, and model fitting: the lognormal distribution is a pretty good model for shot-length distribution of Hollywood films J DeLong Digital Scholarship in the Humanities 30 (1), 129-136, 2015 | 8 | 2015 |
| Neuropsychology behind the plate JE DeLong Sport, Ethics and Philosophy 11 (3), 385-395, 2017 | 4 | 2017 |
| Time series analysis of Hollywood film and reaction times J DeLong | 2 | 2015 |
| Shot Structure and Visual Activity: The Evolution of Hollywood Film J DeLong, K Brunick, J Cutting Journal of Vision 10 (7), 1229, 2010 | 2 | 2010 |
| Are inverted faces processed at a later stage? T Busey, B Schneider, D Wyatte, J DeLong, A Burkhardt, B Tjan Journal of Vision 7 (9), 618, 2007 | 1 | 2007 |
James E CuttingSusan Linn Sage Professor Emeritus, Psychology, Cornell UniversityVerified email at cornell.edu
